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Scientist Vincent Rattray played by Luke Treadaway is performing an autopsy on a polar bear who attacked and ate another polar bear in hopes that dissecting the brain of an apex predator who has attacked another of its kind could provide some clues to some
stanley cup brutal murders that have recently popped up in this previously quiet, crime-free town: Pleasant/upstanding citizens of Fortitude humans are attacking and eating other humans/citizens of Fortitude for seemingly no reason at all. The latest was the sweet town gossip and grocery store clerk, Shirley, who brutally attacked and began eating her mother, with no perceptible motive. The series has a great list of stars,
stanley cup including Stanley Tucci, Richard Dormer, Christopher Eccleston, and Sofie Gr氓b酶l. Tonights episode airs at 10pm on Pivot. Are you watching Fortitude Contact the author at [email 160;protected]. Television
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for people who want to learn about science: I do not believe there has been a better time to be a science reader. Ever. [In an] earlier post, I focused on a couple of fine articles turning up in one of the new venues for long-form science writing, London-based Aeon Magazine. Aeon is in some ways simply a digital expression of a conventional media type. It publishes essays and features, nicely illustrated with a bit of flat art, just lik
stanley cups uk e a magazine on dead trees. But even with that utterly familiar genre focus, there is still this crucial difference: that Aeon is an all-digital production means that it has no constraint either as to the overall length of the pieces it publishes, or to a need to cram its pieces into set frames, one page in the magazine for a short, say, and five for a full length feature. The news hole is what it wants to be for each and every article it chooses to put out into the world. This sounds like a small thing, or maybe just an obvious one 鈥?but it sets up a radically different writing framework than the one that I and my friends and colleagues encountered and still do, sometimes when working to the constraints of cold type. Stories get to be what they need to be, and not what the issue-budget that month dictates. One
stanley quencher corollary: this puts a premium on the one true constraint in this new golden age: excellent editing. Long doesnt mean good, unless its actually good, and the only way to be sure of that is if someone with a brain,
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