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The Australian conference will host industry professionals and government officials this year from Nov 17-19.Now in its 30th year, Screen Forever, the Australian film and television industry conference, begins tomorrow [Nov 17] at Melbourne Crown Conference Centre in Melbourne.The three-day event will include keynotes, roundtables, panel discussions and networking and pitching opportunities, and conclude with the Screen Producers Australia Awards.The opening keynote will be presented by Martin Foley MP, Australias minister for Creative Industries; Jenni Tosi, CEO of Film Victoria; and Matthew Deaner, CEO of Screen Producers of Australia; and then proceed with a lecture by television producer John Edwards.The other keynotes are Paula Wagner, president of Chestnut Ridge Productions and former producing partner of Tom Cruise; and Dana Brunetti, president of Trigger Street Productions, producer of Fifty Shades Of Grey and executive producer on House Of Cards.Australian government representatives Mark Dreyfus QC MP, Shadow Attorney General and Shadow Minister for the Arts; and Senator Mitch Fifield, Federal Minister for the Arts, and Minister for Communications will also be speaking.To
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stanley italy r discussion will include getting more women to join the industry, exploring the opportunities surrounding virtual reality, tips on working in the Chinese film and TV ma
stanley cup rket, how to look for the next generation of talent, and what can be done in the fight against piracy.Speakers and panelist Fccd Revolver shoots for two new Gunslinger productions
Stephen Evans, Paul Webster, Neil Thompson and Richard
stanley canada Holmes spoke at GlobeScreen conference in London.Film finance isnt easy, an
stanley cup d never has been. But theres money available for many levels of film if you approach the market correctly, expert producers said during a UK film finance panel at the fourth GlobeScreen conference at Londons Mayfair Hotel on Nov 20.Stephen Evans of Britannia Films said: It is tougher to make movies than it has been. But theres nothing wrong with that because movies should be tough to make. There is the producers tax credit and the EIS schemes, so for cheaper movies its probably easier. When you mov
stanley cup e up to $10m-plus that gets tough. That depends your relationships with studios, broadcasters, distributors, whether you can actually get over that hurdle. Evans credits include Henry V and The Madness of King George and he is now financing a biopic of the legendary late golfer Seve Ballesteros.Paul Webster of Shoebox Films, which recently produced Anna Karenina and Stephen Knights forthcoming Hummingbird, added: I made my first feature about 25 years ago and it was one of 28 made in Britain, now we make around 150-160 per year. The difference is now is that the market is polarized. For the independent film were sensing a huge downward pressure on budgets. That is in a nutshell due to the failure of the digital world to monetize itself to replace the old value chain of theatrical-DVD-TV鈥?The middle ground the $10-$20m is becoming increasingly hard in th